Portrait of Artist as A Young Man 一个青年艺术家的肖像 (Wordsworth Classics) 9781853260063 下载 mobi 免费 pdf 百度网盘 epub 2025 在线 电子书

With an Introduction and Notes by Dr. Jacqueline Belanger, University of Cardiff

A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work.

The novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19th century Ireland.

Written with a light touch,this is perhaps the most accessible of Joyce's works.

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有一位少女伫立在他面前的激流之中，孤独而凝静不动，远望着大海，她看上去像魔术变幻成的一头奇异而美丽的海鸟。她那颀长、纤细而赤裸的双肢犹如仙鹤的双脚一样纤美，除了肉身上留有一丝海草碧绿的痕迹之外，纯白如玉。她那大腿，圆润可爱，像象牙一样洁白，几乎裸露到臂部，游泳裤雪白的边饰犹如轻柔的雪白的羽绒。她大胆地将暗灰色的裙裾甩到腰间，在身后打个结。她那胸脯像小鸟的胸口一样酥软而纤细，就像深色的鸽子的胸脯一样纤细而酥软。但是她那长长的美发却完全像少女的秀发：她的脸庞也完全像少女，富有一种神奇的极致的美。

她孤独而凝静不动，远望着大海；当她意识到他的存在以及他那钦羡的目光，她眼睛转过来凝视着他，毫无羞涩地、毫无淫荡之气地默默领受着他的注目。她长长地、长长地领受着他凝视的目光，然后娴静地将双眸从他身上移开，而俯视那流水，用脚轻轻地一忽儿这儿一忽儿那儿地搅动清水。那第一声细微的缓缓流动的水的潺潺声打破了寂静，那潺潺声低低的，细细的，像嗫嚅，宛若睡眠的钟声一样细微；一忽儿这儿，一忽儿那儿，一忽儿这儿，一忽儿那儿：一缕淡淡的红晕在她脸颊上颤动

在他身旁阒无人影，一片沉寂。但是浪潮就在那拐弯处汹涌，白天正在消遁。他往陆地方向转过身来，往岸边奔跑起来，往岸滩斜坡上爬，毫不在乎那嶙峋尖利的砂石，他在一圈簇生灌木的圆丘中间找到一个沙质的藏匿之所，伸直身子躺在那儿，也许暮色的清寂能让他狂奔的热血平静下来。

我不想伺候我不再信仰的东西，不管那称之为我的家，我的祖国或者我的教会：我将在一种生活或艺术方式中尽量自由自在地、尽量完整地表达我自己，我将使用我允许自己使用的唯一的武器来自卫——那就是沉默，流放和狡黠。

既然上帝自己从永恒以来一直以神宠爱他个人的灵魂，他不能对爱的实现有任何质疑。随着他的灵魂由于精神知识而得到充实，他渐渐地看到整个世界不过是一个广袤的由上帝的神威与爱组成的对称的表述而已。生活成为一种神赐，为了生活中的每一时刻，每一个感受，即使是望一眼挂在树枝上的一片树叶，他的灵魂都应该赞颂、称谢创造了这一切的上住。对于他的灵魂来说，拥有实在物质的、复杂不堪的世界，除了神威、爱和无所不包的神性之外，已不复存在。在所有的万物中，赋予他灵魂的这种对神的意义的颖悟是如此完整而不容置疑，他几乎无法理解他到底为何还要继续活下去。然而，那正是神的宏旨的一部分，他不敢怀疑其他用途，特别是他，一个比任何人都深地、邪恶地犯了罪、玷污了神的宏旨的罪人。由于意识到那永恒的、无所不在的、至善至美的存在，他的灵魂变得驯顺而自卑，它再次承载起虔诚、弥撒、祈祷、圣礼和禁欲的重任，自从那以后，他深思了爱的伟大奥理，第一次感到在他身体里涌动一种像灵魂本身新生的生命或德行一样的暖流。对神圣艺术的欣喜而表现出来的癫狂，高举双手，愕然张开嘴唇，眼神一副神魂颠倒的样子，对于他来说，变成了祈祷中灵魂的形象，在灵魂的造物主面前感到屈辱而微不足道。

我现在告诉你我不惧怕什么。我不怕孤独，我不怕被遗弃，我不怕丢掉我必须丢掉的一切，我不怕犯错误，甚至大错误，一生的遗恨，也许就像永恒一样悠远的错误。

我将与世界的力量抗衡。除了对灵魂的信仰之外，一切都是无定的，只有灵魂改变一切，使无定得到光明。虽然我在这里似乎是作为一个不信教的人被驱赶出祖国的，我却从没发现任何一个人的信仰像我的那样。

在这篇散文作品中，乔伊斯采用了他原先写成的所谓的“颖悟性速写”（epiphany），大致勾勒了一个故事，并声言要在散文中用“流动的现在时”表述过去，以充分体现“情感的跌宕”。

书籍介绍

The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

A classic novel which follows Stephen Dedalus as he progresses from boyhood to his coming of age in Ireland at the beginning of the 20th century, describing his sexual awakening, his intellectual development and his rebellion against Roman Catholicism. From the author of Dubliners, Ulysses and Finnegan's Wake.

Perhaps Joyce's most personal work, A Portrait Of The Artist As A Young Man depicts the intellectual awakening of one of literature's most memorable young heroes, Stephen Dedalus. Through a series of brilliant epiphanies that parallel the development of his own aesthetic consciousness, Joyce evokes Stephen's youth, from his impressionable years as the youngest student at the Clongowed Wood school to the deep religious conflict he experiences at a day school in Dublin, and finally to his college studies where he challenges the conventions of his upbringing and his understanding of faith and intellectual freedom. James Joyce's highly autobiographical novel was first published in the United States in 1916 to immediate acclaim. Ezra Pound accurately predicted that Joyce's book would "remain a permanent part of English literature," while H.G. Wells dubbed it "by far the most important living and convincing picture that exists of an Irish Catholic upbringing." A remarkably rich study of a developing young mind, A Portrait Of The Artist As A Young Man made an indelible mark on literature and confirmed Joyce's reputation as one of the world's greatest and lasting writers.

A masterpiece of subjectivity, a fictionalized memoir, a coming-of-age prose-poem, this brilliant novella introduces Joyce's alter ego, Stephen Daedelus, the hero of Ulysses, and begins the narrative experimentation that would help change the concept of literary narrative forever. It describes Stephen's formative years in Dublin; as Stephen matures, so does the writing, until it sparkles with clarity. The style presents numerous, almost insurmountable, problems for the oral interpreter, particularly one with the limited vocal range of John Lynch. But Lynch pays no attention to the problems. Instead, he identifies so completely with Daedelus, throws himself so lustily into the book, that it is as if the passionate young artist himself is bursting out of your speakers. Y.R. Winner of AUDIOFILE Earphones Award

Autobiographical novel by James Joyce, published serially in The Egoist in 1914-15 and in book form in 1916; considered by many the greatest bildungsroman in the English language. The novel portrays the early years of Stephen Dedalus, who later reappeared as one of the main characters in Joyce's Ulysses (1922). Each of the novel's five sections is written in a third-person voice that reflects the age and emotional state of its protagonist, from the first childhood memories written in simple, childlike language to Stephen's final decision to leave Dublin for Paris to devote his life to art, written in abstruse, Latin-sprinkled, stream-of-consciousness prose. The novel's rich, symbolic language and brilliant use of stream-of-consciousness foreshadowed Joyce's later work. The work is a drastic revision of an earlier version entitled Stephen Hero and is the second part of Joyce's cycle of works chronicling the spiritual history of humans from Adam's Fall through the Redemption. The cycle began with the short-story collection Dubliners (1914) and continued with Ulysses and Finnegans Wake (1939).

James Joyce was born on February 2, 1882, in Rathgar, Dublin. He was one of ten children. He was educated at Jesuit schools and at University College, Dublin. A brilliant student of languages, Joyce once wrote an admiring letter in Norwegian to Henrik Ibsen. He went to Paris for a year in 1902, where he discovered the novel Les Lauriers Sont Coupes by Edouard Dujardin, whose stream-of-consciousness technique he later credited with influencing his own work. Following his mother's death, he returned to Ireland for a brief stay, and then left with Nora Barnacle, with whom he spent the rest of his life. They had two children, George and Lucia Anna, the latter of whom suffered in later years from schizophrenia. (Joyce and Nora were formally married in 1931.)

Joyce lived in voluntary exile from Ireland, although Irish life continued to provide the raw material for his writing. In Trieste, he taught English and made the acquaintance of the Italian novelist Italo Svevo. His first book, the poetry collection Chamber Music, appeared in 1907. The publication of the short story collection Dubliners was delayed repeatedly, and eventually the Irish publisher destroyed the proofs for fear of libel action; this prompted Joyce's final visit to Ireland in 1912. The book was eventually published in 1914 and greeted with acclaim by Ezra Pound, whose enthusiastic support helped Joyce establish a literary career. In 1915 Joyce and Nora moved to Zurich, and at the end of World War I they settled in Paris. His only play, Exiles, was published in 1918 and staged in Munich the same year without success. A Portrait of the Artist as a Young Man, an autobiographical novel (developed from the embryonic, posthumously published Stephen Hero) tracing the artistic development of Stephen Dedalus, was published in 1916. By this time Pound and W. B. Yeats had succeeded in obtaining for Joyce some financial support through the Royal Literary Fund, but he continued to be in need of money for most of his life.

Joyce began to suffer from serious vision difficulties due to glaucoma; he would eventually be forced to undergo many operations and long periods of near-blindness. Ulysses, the epic reconstruction of the minutiae of a single day in Dublin--June 16, 1904--was serialized in The Little Review starting in 1918, and published in Paris (by the American Sylvia Beach through her bookstore Shakespeare & Company) in 1922, on his fortieth birthday. Due to censorship it remained unavailable in the United States until 1934 and in the United Kingdom until 1936. Except for a small volume of verse, Pomes Penyeach (1927), Joyce published nothing thereafter except extracts from the enormous work in progress that emerged as Finnegans Wake in 1939. In his later years he was closely associated with the young Samuel Beckett, whom he had met in 1928. After the German invasion of France, Joyce and Nora moved back to Zurich, where he died on January 13, 1941.

length: (cm)19.8 　　　 　　　　　 　　　　　 width:(cm)12.6