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内容简介:
'Michael Field' (1884-1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siecle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study.
书籍目录:
Acknowledgements page viii
Introduction: ‘something fierce, subtle, strange, singular’
1 The diaries and dramas: life-writing and the temporal patterns of
aestheticism
2 Long Ago: the male pseudonym, fin-de-siècle sexualities and
Sappho’s historical leap
3 Sight and Song: Botticelli and ekphrastic paradox
4 Underneath the Bough: dual authorship and lyric song
5 Wild Honey from Various Thyme: apian aestheticism and the lyric
book collection
6 The Catholic poetry: the spiritual and historical ‘turn’ of the
century
Conclusion: modernism and the fin de siècle
Notes
Bibliography of material: by Katharine Bradley and Edith
Cooper
General bibliography
Index
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'Michael Field' (1884–1914) was the pseudonym of two women,
the aunt and niece Katharine Bradley and Edith Cooper, who lived
and wrote together as 'lovers'. The large oeuvre contains poems,
dramas, and a vast diary. Marion Thain recounts the development of
a fascinating and idiosyncratic poetic persona, which became a
self-reflexive study in aestheticism. The constructed life and work
of 'Michael Field' is used here to deepen and complicate our
understanding of many of the most distinctive aesthetic debates of
the late nineteenth and early twentieth centuries; a process
unified by the recurring engagement with theories of time and
history that structures this book. This analysis of poetry,
aestheticism and the fin de siècle, through the performance of
'Michael Field', has implications that reach far beyond an
understanding of one poet's work. Scholars of both Victorian and
modernist literature will learn much from this innovative and
compelling study.
? The full-length study of this fascinating literary persona, the
pseudonym of two female writers ? Sets Michael Field in the context
of nineteenth-century literature and aestheticism ? Offers an
entirely fresh take on aetheticism and culture at the turn of the
century
书籍介绍
'Michael Field' (1884-1914) was the pseudonym of two women, the aunt and niece Katharine Bradley and Edith Cooper, who lived and wrote together as 'lovers'. The large oeuvre contains poems, dramas, and a vast diary. Marion Thain recounts the development of a fascinating and idiosyncratic poetic persona, which became a self-reflexive study in aestheticism. The constructed life and work of 'Michael Field' is used here to deepen and complicate our understanding of many of the most distinctive aesthetic debates of the late nineteenth and early twentieth centuries; a process unified by the recurring engagement with theories of time and history that structures this book. This analysis of poetry, aestheticism and the fin de siecle, through the performance of 'Michael Field', has implications that reach far beyond an understanding of one poet's work. Scholars of both Victorian and modernist literature will learn much from this innovative and compelling study.
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